Some practice using reds (terra rosa, cadmium, alizarin) with a full palette. First semester I painted the apple and pot together, but at the time it was a monochrome painting using only terra rosa, ivory black and titanium white. So I wanted to try it again with a full palette this time. I haven’t used ivory black in a long time. Something close to black is created by mixing ultramarine and brown madder (usually I use burnt umber), basically a dark blue and a dark brown.
I usually use bristle brushes in varying sizes as well as softer brushes for blending. This time I used some new brushes I grabbed at the store, nylon brights. In general I like the squarer shape of brights and the strokes they make on the canvas, but as expected these nylon brushes create much smoother, less expressive strokes. So I have mixed feelings about the result.